How Can I Tell Whether a Book Can Go Online?
In order for a book to go online, either
Most free online books are from public-domain texts, but
there are also many books online with the permission
of the copyright holder.
- the copyright holder (usually the author) has to give permission, or
- the book needs to be in the public domain (i.e. copyright on the material has expired), or
- there must be a special legal exemption allowing whoever puts the
book online to do so without permission of the copyright holder. (This last case is quite rare; in the
US, it may apply to libraries and archives with respect to
some out-of-print copyrighted books published between 1923 and 1937.
In some other countries, it might apply to books known as "orphan works".)
How do I get permission from the copyright holder?
There are three basic steps:
- Find out the name and contact information for whoever
holds the copyright and can give permissions.
The copyright page on a book will usually
tell you who the copyright holder is. If a publisher holds the the copyright,
you can find out their mailing address by looking in Books in Print. If a
person holds the copyright, and their address cannot
be found through other means, most authors and estates can be reached
care of their publishers. Many well-known authors also have a copyright
contact address listed in the online
Writers, Artists, and Their Copyright Holders (WATCH) database, or in the Authors Registry. You can also consult some guides
to locating copyright holders in various countries:
- Contact them to ask permission.
If you're writing to ask permission, tell them who you are and what
you plan to do with the book. If you make it clear that you're planning
a free, non-profit venture, and are willing to cooperate with the author,
it's quite possible the author will welcome the chance to see their work
made available to new generations of readers. Authors may be concerned
about losing control or royalties for their work, or about the integrity
of their work. You may want to address these concerns in your letter.
(For instance, you
can note that they will retain copyright over the work, and that your
copy will prominently assert their copyright and author's rights. You
can offer to have them check over the electronic copy if they want
to make sure it's being published as they intended. You
can also note that online versions of books, especially if they provide
a way to buy print copies, or other books by the author,
in some cases have increased sales and demand for an author's works.)
- See what the copyright holder says in reply.
- The author may reply quickly, or may take a while to respond
(especially if the letter has to be routed via publishers). Some authors
may not reply at all. Others will say no. While it may be unfortunate
that the book cannot be read online, the author or other copyright holder
does get to have the last word on whether and how they want the
book published online, while the copyright is still in force.
You can always try pursuing permission for someone else's book, or
work on one that is in the public domain.
How do I find out whether the book is in the public domain?
The rules vary from country to country. In the US and many other countries,
authors can put a work in the public domain by formally declaring that
they are doing so. But most books enter the public domain either because
they are not copyrightable (e.g. certain government documents),
or because their copyrights expire.
Below, I give
my best understanding of when copyright expires in various countries, but
keep in mind that I am not a lawyer, and should not be relied on
for legal advice.
United States, the following rules apply:
Peter Hirtle at Cornell has a useful annotated chart covering the US copyright status of various types of works in more detail.
- Anything copyrighted prior to 1923 is in the public domain.
(Practically speaking, this includes anything published prior to 1923,
since publication without copyright put the work straight into the public
But note this
possible exception in some western states for some 1909-1922
foreign works that were not published in the US before 1923.)
Due to a 20-year copyright extension enacted in the US in 1998, copyrights
from 1923 or later that are still in force
will stay in effect through 2018 or longer.
- Certain works copyrighted in 1923 or later may already have
entered the public domain. In particular, works published in the
US before 1989 without proper copyright notice, and works published in the US
before 1964 whose copyrights were not renewed, may have entered the public
domain. However, works from 1923 or later
that were originally published in countries outside
the US may still be copyrighted regardless of whether they were printed
with proper notice or renewed.
To research whether a book's copyright has been renewed, or needed to be
see this article.
- Works never published prior to 2003 (and
for copyright prior to 1978) are now in the public
in the US if they are by authors who died more than 70 years before the
most recent New Year's day.
(For 2013, this means authors who died before 1943.) Although this
new rule does not put any previously published material into the
public domain, it may allow
some long-lost manuscripts and collections of letters to be published
online as "new" online books.
Here's a summary of copyright durations in other countries, last I checked them:
In some countries outside the US, there is also a "law of the shorter term",
which may expire copyrights for books written and published in other countries
at the same time as they expire in their "home" country, if this
is a shorter time period.
In the cases of multiple authors, authors that are organizations
rather than people, works not published until after the author's death,
and works published outside the country, national
You can often find information on publication dates and author's
death dates from the book itself, or from library catalogs.
Other resources for this information
include the New
General Catalog of Old Books and Authors
(in the UK), and the
We also have some more information on determining death dates.
For more information on copyrights in various countries, see
Copyright Watch from the Electronic Frontier Foundation.
Wikipedia also has a set of
links on copyright length in various countries.
See also the following sites for additional information:
(If anyone can provide additional documentation on their own country's
laws, I'd be interested in seeing it. Thanks to Peter Evans, Stephen Fishman,
Kevin Hawkins, Wojciech Kotwica, Christian Steiner,
and others for helping me find this information!)
- Andean Community (Decision 351, 1993; official site)
- Australia (Australian Copyright Council notes on transitional provisions for copyright duration)
- Austria (has some recent legislation not yet linked in Copyright Watch; courtesy UNESCO)
- Bahrain (summary information in English on 2006 copyright law changes; courtesy agip.com)
- List links below this point may be out of date and may go away; see Copyright Watch for current information
- Barbados (1998 copyright law, courtesy of OAS)
- Belarus (from the Belarus Legislation Databank)
- Belgium (information courtesy UNESCO)
- Belize (2000 copyright law, courtesy belizelaw.org)
- Benin (information courtesy UNESCO; seeking better link)
- Bolivia (information courtesy US Department of Commerce)
- Bosnia and Herzegovina (information courtesy UNESCO)
- Brazil (in Portuguese; courtesy of the Biblioteca Nacional in Brazil. See also English copy of the law at WIPO
- Brunei (information courtesy UNESCO)
- Bulgaria (information courtesy UNESCO)
- Burkina Faso (information courtesy UNESCO; seeking better link)
- Burundi (information courtesy UNESCO; seeking better link)
- Cambodia (information courtesy UNESCO)
- Cameroon (information courtesy UNESCO)
- Canada (official Canadian IP Office)
- China (information courtesy UNESCO)
- Colombia (information courtesy WIPO)
- Costa Rica (copyright law in Spanish, courtesy of OAS)
- Cote d'Ivoire (information courtesy UNESCO)
- Croatia (courtesy jagor.srce.hr)
- Cuba (information courtesy UNESCO)
- Cyprus (summary by Andreas Neocleous Co.)
- Czech Republic (information courtesy WIPO)
- Denmark (information courtesy UNESCO)
- Djibouti (information courtesy UNESCO)
- Ecuador (copyright law in Spanish, courtesy of OAS)
- Egypt (information courtesy agip.com)
- Estonia (courtesy esis.ee)
- European Union (copyright harmonization legislation; official site)
- Fiji (information courtesy University of the South Pacific)
- Finland (information courtesy UNESCO)
- France (in French only)
- Germany (from WIPO via iuscomp.org; see also original German at transpatent.com)
- Greece (information courtesy UNESCO)
- Guatemala (copyright law in Spanish, courtesy of OAS)
- Honduras (copyright law in Spanish, courtesy UNESCO)
- Hungary (information courtesy UNESCO)
- Iceland (from the Iceland Ministry of Education, Science, and Culture)
- India (India copyright office)
- Indonesia (summary courtesy a2knetwork.org)
- Iraq: old law (courtesy agip.com) and occupation update (courtesy the Coalition Provision Authority)
- Iran (information from parstimes.com)
- Ireland: Copyright and Related Rights Act 2000 (official Irish government site)
- Israel (information courtesy UNESCO)
- Italy (information courtesy UNESCO)
- Japan (info provided by the Copyright Research and Information Center)
- Jordan (information courtesy agip.org)
- Kazakhstan (information courtesy UNESCO)
- Kenya (information courtesy UNESCO)
- (South) Korea (at copyright.or.kr)
- Kuwait (information courtesy mideastlaw.com)
- Kyrgyz Republic (from the Kyrgyz State Agency of Science and Intellectual Property)
- Latvia (information courtesy latiss.lv)
- Lebanon (information courtesy agip.com)
- Libya (information courtesy agip.com)
- Liechtenstein (information courtesy UNESCO)
- Lithuania (summary at osi.hu)
- Luxembourg (copyright law; in French)
- Macedonia (official text and unofficial translation; courtesy Macedonian Legal Resource Center)
- Madagascar (information courtesy UNESCO)
- Malawi (information courtesy UNESCO)
- Malaysia (information courtesy lawyerment.com.my)
- Malta (information courtesy Aldo Zammit Borda)
- Mexico (copyright law in Spanish, courtesy of OAS; extension to life+100 documented in this note from Ladas and Parry)
- Moldova (information courtesy UNESCO)
- Mongolia (information courtesy UNESCO)
- Namibia (information courtesy UNESCO)
- Morocco (information courtesy UNESCO)
- Nepal (summary article courtesy UNESCO)
- Netherlands: Text of the Dutch Copyright Law (Auterswet 1912) (at ivir.nl)
- New Zealand: Copyright Act 1994 (with links to later amendment acts; see also a government information sheet)
- Namibia (information courtesy UNESCO)
- Nicaragua (copyright law in Spanish, courtesy UNESCO)
- Nigeria (from nigeria-law.org)
- Norway (information courtesy UNESCO)
- Oman (2000 law from official government web site)
- Pakistan (information courtesy WIPO)
- Panama (copyright law in Spanish, courtesy of OAS)
- Papua New Guinea (information courtesy UNESCO)
- Paraguay (copyright law in Spanish, courtesy of OAS)
- Peru (information courtesy UNESCO)
- Philippines (information courtesy UNESCO)
- Poland: 1994 law courtesy WIPO; for summary of the extensions to life+70 passed in 2000, see this page
- Portugal (courtesy gda.pt)
- Qatar (information courtesy agip.com)
- Romania (information courtesy WIPO)
- Russia (1995 law courtesy UNESCO; see 2004 updates summarized at petosevic.com)
- Samoa (information courtesy University of the South Pacific)
- Saudi Arabia (information courtesy agip.com)
- St. Vincent and the Grenadines (1989 copyright law, courtesy of OAS)
- Serbia and Montenegro (summary of 2004 law changes by Serbia and Montengro's head of copyright and related rights department)
- Seychelles (information courtesy UNESCO)
- Singapore (Singapore Intellectual Property Office website)
- Slovakia (information courtesy WIPO)
- Slovenia (information courtesy UNESCO)
- Solomon Islands (information courtesy University of the South Pacific)
- South Africa (information courtesy UNESCO)
- Spain (information courtesy WIPO)
- Sudan (information courtesy agip.com)
- Sweden (information courtesy WIPO)
- Switzerland (courtesy Swiss Federal Institute of Intellectual Property)
- Syria (courtesy agip.com)
- Taiwan (official government website)
- Tanzania (information courtesy UNESCO)
- Thailand (information courtesy WIPO)
- Togo (information courtesy UNESCO)
- Trinidad and Tobago (1997 copyright law courtesy of OAS)
- Tunisia (information courtesy agip.com)
- Turkey (information courtesy WIPO)
- Ukraine (2001 law courtesy cipr.org)
- United Arab Emirates (information courtesy agip.com)
- United Kingdom (official Patent Office Site)
- United States (official Copyright Office site)
- Uruguay (information courtesy UNESCO)
- Uzbekistan (information courtesy gtz.de's LexInfoSys)
- Venezuela (information courtesy UNESCO)
- Vietnam (information courtesy WIPO)
- Yemen (courtesy agip.com)
- Zambia (information courtesy UNESCO)
What if the book is copyrighted in some countries, but public domain in others?
Consider first whether it's copyrighted in your own country
(or the country where your Web site is located, if that's different).
I will generally list books on the Online Books Page if they're
public domain in the countries they're being served from.
However, if they are not yet public domain in the US (where this
page is located) I will include a warning mentioning this.
As far as I'm aware, there are not yet hard-and-fast rules on the
distribution of legal responsibility for downloading etexts
from a country where they're public domain to a country where they're not.
But I would at the least include a warning if you know that some of
the texts you serve are copyrighted in some countries. And I would
avoid downloading texts from other countries that are copyrighted in your
When the United States Congress extended copyrights 20 years in 1998, they
included a provision that "libraries and archives" could, during the last
20 years of a copyright's term, and for
purposes of preservation, scholarship, or research, "reproduce,
distribute, display, or perform in facsimile or digital form a copy or
phonorecord of the work or portions of the work", if it has determined that:
As of 2013,
this may allow certain copyrighted and out-of-print works from 1923-1937 to
from the web sites of libraries and nonprofit archives.
For more information, including how to search notices of claims, see
this page from the US Copyright Office. Of course, some copyrights from those years
have already expired due to nonrenewal.
There aren't any yet in the US. As of 2013, there may be some limited orphan
works exemptions in some other countries. We'll post details
here as we learn more.
- the work is not subject to normal commercial exploitation
- a copy or phonorecord of the work cannot be obtained at a reasonable price
- the copyright holder or its agent has not filed a notice
with the Copyright Office claiming either of the two conditions above.
What about reprints of public domain
works? Can I work from those, or do they get a new copyright?
A simple reprint of a book, without any creative additions or changes,
does not get a new copyright of its own-- at least not in the United States.
(Some other countries may have a limited "facsimile" right-- check
local laws for details.)
However, some reprints have been re-edited, or include new material,
which may be eligible for a new copyright.
If you'd like to transcribe or scan a reprint edition, first check
the copyright page to see if any new copyrights are claimed.
cases, reprints only copyright the foreword, or the notes, or new
illustrations-- in which case you can just omit those in your transcription.
Even if a new edition is copyrightable, issuing a new edition does
not in any way lengthen or restore the copyright of older editions.
Note that some people prefer to transcribe from older editions, even
if reprint editions are also in the public domain.
This may be because
the older editions have a more accurate text, or because they want to include
the unique details of the older editions (such as the pagination, or
the title pages) in their transcription.
Where can I get more information
on the public domain and copyright?
A very useful guide on the legalities of putting books online in the US
is Mary Minow's Library
Digitization Projects and Copyright. It's written by a lawyer
and librarian, and goes into more detail on many of the issues discussed here.
If you would like
more information on the public domain, a new (offline) book by Stephen
Fishman, called The Public Domain: How to Find Copyright-Free Writings,
Music, Art and More (Nolo Press, 2000)
is a useful guide to finding and using public domain works, and
goes into much more detail than is possible on a single Web page like
this one. Here is the
publisher's information page on the current edition.
For questions on other aspects of copyright law that aren't answered
on the Web,
may be a good place to ask. The
PIJIP-Copyright forum (formerly CNI-COPYRIGHT) is a mailing list with a number
of copyright experts on it.
I have also found the following (offline)
books helpful for more complicated legal questions on copyright. Both
books are updated every few years:
Some additional details on public domain status have been collected on
Wikipedia's public domain guidelines page. That page can be edited by anyone, and therefore cannot be considered authoritative, but it can be useful for an overview of some of the nooks and crannies of copyright law that one might want to investigate further.
If you need expert legal advice, consult
a lawyer who handles intellectual property matters. (Again, I am not a lawyer,
and this page should not be considered legal advice.)
Why do copyrights expire, anyway?
Because both copyright and the public domain serve authors and the public.
Copyrights give an author a temporary monopoly over distribution of her
works, so as to encourage her to write and earn a living by it. The
public domain, in turn, is a rich source of material that people can
freely read, retell, perform, and distribute, and that authors can use
to produce new creative works.
For instance, the tale of Snow White, by being in the public domain,
was told and retold in many books, became widely loved throughout
European and North American culture. It also has been
on the Net free of charge.
But it also has formed the basis of new, copyrighted works, like
Walt Disney's movie "Snow White".
Eventually, Disney's movie will in turn
enter the public domain, and the images, dialogues and songs
of the movie will
be freely usable in yet more creative works-- or be freely
used by schools and camps
to help encourage kids to sing, draw, and eventually create new works
in their own right.
The US Constitution recognizes the balance between these interests
by giving Congress the power "To promote the Progress of Science and
useful Arts, by
securing for limited Times to Authors and Inventors the
exclusive Right to their respective Writings and Discoveries".
Originally, in the US these 'limited times' were 14 years for
copyrights, optionally renewable for another 14. But the terms have been
steadily lengthened over time, until now most copyrights extend far beyond
the lifetime of the artist they're meant to encourage to create.
This upsets the
balance of copyright and the public domain in the promotion of the arts.
It also means that works often end up being lost to future generations,
since most books drop out of print and then become forgotten or
inaccessible long before their copyright runs out. If they were in the
public domain, anyone would be free to ``revive'' them easily, especially
in today's world of online texts.
Even so, entertainment industry lobbyists are now
pushing new bills that would
extend copyrights even further.
On October 27, 1998, the President signed into law an extension of
copyrights on older works to a maximum of 95 years, nearly a
full century. Copyright terms for many newer books can
run even longer. During the hearing
on this bill, Sonny Bono's widow expressed the wish, which she said
was also that of MPAA head Jack Valenti, of making copyright terms
last effectively forever!
I encourage US citizens to contact their legislators and the President
to oppose further erosions of the public domain. For more information, see these
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Edited by John Mark Ockerbloom (email@example.com)
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